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DEFIANCE is a different kind of World War II movie, one that looks at the Holocaust from a unique angle–telling the true story of a group of Jews in Eastern Europe who fought back. On the run from the Germans and the local police, the three Russian Bielski brothers–Tuvia (Daniel Craig), Zus (Liev Schreiber), and Asael (Jamie Bell)–hide out deep in the forest. Their numbers swell as more and more refugees join them, coming together to form a community while also patrolling with guns and shooting the enemy to stay alive. But Tuvia and Zus have a falling-out over what future direction to take: Tuvia thinks it best to remain in the forest despite the coming vicious winter, but Zus wants to join the Russian resistance, which is aggressively attacking the Nazis. Complicating the situation are the women in their lives, known as forest wives–Lilka (Alexa Davalos) shows interest in Tuvia, Bella (Iben Hjelje) grows close to Zus, and young Chaya (Mia Wasikowska) and Asael flirt with the tingles of first love. As food grows scarce, diseases increase, and the Nazis become determined to find and kill them, the Bielski Otriad struggles to survive, battling back when necessary, including taking up arms. <br><br>Directed by Edward Zwick (GLORY, BLOOD DIAMOND) and based on the nonfiction book by Dr. Nechama Tec, DEFIANCE is a powerful thriller filled with tense human emotion, a gripping story about brotherly love and the basic human instinct to survive against all odds. Craig (LAYER CAKE, CASINO ROYALE), Schreiber (EVERYTHING IS ILLUMINATED), and Bell (BILLY ELLIOTT) are terrific as the Bielski brothers, three very different individuals who simply refuse to just lie down and die.

For his fourth directorial feature in the span of two years, Clint Eastwood tells the story of a grizzled Korean War vet’s reluctant friendship with a Hmong teenage boy and his immigrant family. Set in contemporary Detroit, GRAN TORINO tackles the shifting cultural and economic landscape of not only the Motor City, but America as well. Eastwood stars as Walt Kowalski, an unabashed bigot who never heard a racial insult he didn’t love. Bitter, haunted, and full of pride, Walt refuses to abandon the neighborhood he’s lived in for decades despite its changing demographics as he clings desperately to a mindset long since out of step with the times. When his Hmong neighbor Thao tries to steal his prized muscle car as part of a gang initiation, Walt is forced to grapple with the world around him.<br><br>GRAN TORINO’s approach to the complicated issue of race relations is equal parts Archie Bunker and CRASH. That is to say, there is nothing subtle about Walt’s bigotry, yet his misanthropy knows no bounds, and Eastwood does a remarkable job of finding the humor in Walt’s equal opportunity racism. More than simply a racial morality tale, however, GRAN TORINO is about the unlikely bonds that people form to navigate the subtle complexities every day life. Like MILLION DOLLAR BABY, GRAN TORINO explores the challenging yet rich new world that can open up when individuals let down their guard, even if for just a moment. Estranged from his family and his church, and without any sense of personal peace, Walt offers all that he has to Thao and his family, namely wisdom and protection. When tragedy strikes the family, Eastwood allows a little classic Harry Callahan to poke through, but the surprising finale posits a hero that Dirty Harry would never have the guts to be. It’s a potent symbolic gesture to Eastwood’s own growth as a storyteller.

Anyone who has seen BRIDEZILLAS or known their own frantic fiancée understands that weddings can bring out the worst in people. This comedy stars Anne Hathaway and Kate Hudson as two brides-to-be who become former friends and new rivals when they schedule their weddings on the same day.

Nineteen-year old Casey Bell is haunted by a dybbuk–the soul of a dead person barred from heaven–in the form of a young boy who perished in Auschwitz.