Doubt succeeds on the strength of its top-notch cast, who successfully guide the film through the occasional narrative lull.
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A tough-as-nails Catholic school principal, Sister Aloysius (Meryl Streep) tries to trick a confession out of a progressive priest (Phillip Seymour Hoffman) whom she suspects of being a pedophile in this terse drama, directed by John Patrick Shanley, based on his hit stage play, set in the mid 1960s in the wake of the Kennedy assassination. There's a feeling of dread and claustrophobia in the parochial school air: the kids can't sit still and they quake in terror of being called downstairs to face Sister Aloysius's wrath. Amy Adams is the sweet-natured sister in charge of eighth grade, who first suspects Father Flynn (Hoffman) may have seduced a withdrawn African-American boy in her class. Sister Aloysius becomes convinced of the priest's guilt, but it's hard to be certain if her judgment is obscured by the change he represents or is just the result of her hardened years of experience. <br><br>Director of photography Roger Deakins brings a lived-in bleakness to the cold wintry Bronx settings: paint peeling off the rectory walls, bare trees reflected in frosty windows, wrinkled white linen, and old, wizened faces in the gloom of the actual location photography. This all contrasts impressively with the hothouse nature of the performances; when Hoffman and Streep finally go toe-to-toe, you can feel the gods of acting rise to attention. The real scene stealer here however is Viola Davis, shattering as the possibly victimized boy's hard-working mother. She even leaves Streep at a standstill, and that's saying something.
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Adapted from the Will Eisner's graphic novels, "The Spirit" tells the story of a man who fakes his own death and fights crime from the shadows of Central City. The Octopus -- who kills anyone unfortunate enough to see his face -- has other plans. He's going to wipe out the entire city. The Spirit tracks this coldhearted killer from the city's rundown warehouses, to the damp catacombs, to the windswept waterfront...all the while facing a bevy of beautiful women who either want to seduce, love or kill the masked crusader.
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In a country in the grips of evil, in a police state where every move is being watched, in a world where justice and honor have been subverted, a group of men hidden inside the highest reaches of power decide to take action. Based on the true story of Colonel Claus von Stauffenberg and the daring and ingenious plot to eliminate one of the most evil tyrants the world has ever known.<br><br> A proud military man, Colonel Claus von Stauffenberg is a loyal officer who serves his country all the while hoping that someone will find a way to stop Hitler before Europe and Germany are destroyed. Realizing that time is running out, he decides that he must take action himself and joins the German resistance. Armed with a cunning strategy to use Hitler's own emergency plan - known as Operation Valkyrie - these men plot to assassinate the dictator and overthrow his Nazi government from the inside.<br><br> With everything in place, with the future of the world, the fate of millions and the lives of his wife and children hanging in the balance, von Stauffenberg is thrust from being one of many who oppose Hitler to the one who must kill Hitler himself.
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"I was born under unusual circumstances." And so begins "The Curious Case of Benjamin Button," adapted from the 1920s story by F. Scott Fitzgerald about a man who is born in his eighties and ages backwards: a man, like any of us, who is unable to stop time. We follow his story, set in New Orleans from the end of World War I in 1918, into the 21st century, following his journey that is as unusual as any man's life can be.
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